Shaliach Tzibur: Difference between revisions
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#The Shaliach Tzibbur may use secular tunes for Kaddish and Kedushah, though it is preferable to use tunes that the words to which have already been forgotten.<ref>See Yechaveh Daat 2:5 where he explains that the main issue with secular music is the words, so it's best not to pick a secular tune that will remind the Tzibbur of the words to the song. Rather, one should use a tune that nobody remembers the words to, as it has then come from the Sitra Achara to the Sitra deKedushah</ref> | #The Shaliach Tzibbur may use secular tunes for Kaddish and Kedushah, though it is preferable to use tunes that the words to which have already been forgotten.<ref>See Yechaveh Daat 2:5 where he explains that the main issue with secular music is the words, so it's best not to pick a secular tune that will remind the Tzibbur of the words to the song. Rather, one should use a tune that nobody remembers the words to, as it has then come from the Sitra Achara to the Sitra deKedushah</ref> | ||
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Revision as of 06:17, 13 January 2015
- The Shaliach Tzibbur may use secular tunes for Kaddish and Kedushah, though it is preferable to use tunes that the words to which have already been forgotten.[1]
- ↑ See Yechaveh Daat 2:5 where he explains that the main issue with secular music is the words, so it's best not to pick a secular tune that will remind the Tzibbur of the words to the song. Rather, one should use a tune that nobody remembers the words to, as it has then come from the Sitra Achara to the Sitra deKedushah
